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Whiplash vs. Black Swan — The Anatomy of the Obsessed Artist
 
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Support this channel: http://patreon.com/LFTScreenplay LFTS on Facebook: https://goo.gl/u4pNNa Follow me at: http://twitter.com/michaeltuckerla A comparison of how the tale of the obsessed artist is told in Darren Aronofsky's "Black Swan" starring Natalie Portman, Mila Kunis, and Vincent Cassel, and Damien Chazelle's "Whiplash" starring Miles Teller and J. K. Simmons. Translate this video into your language: http://www.youtube.com/timedtext_video?v=ba-CB6wVuvQ&ref=share Thanks to Diego Rojas for composing original music for this video! Check him out: https://soundcloud.com/diegorojasguitar Down With That by Twin Musicom is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Artist: http://www.twinmusicom.org/ Marxist Arrow by Twin Musicom is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Artist: http://www.twinmusicom.org/
Стратегический Бомбардировщик Велекобритании Avro Vulcan XH558
 
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Avro Vulcan (рус. Авро Вулкан) – это британский стратегический бомбардировщик, являющийся вторым среди бомбардировщиков «V-серии». Свой первый полет машина совершила еще 31 августа 1952 года. Всего было собрано 136 бомбардировщиков данного типа, включая самолеты-прототипы. «Вулканы» находились на вооружении ВВС Великобритании с 1956 по 1984 годы, став, таким образом, последними английскими стратегическими бомбардировщиками. В боевых действиях самолет принял участие лишь раз, самолеты Avro Vulcan выполнили несколько боевых вылетов во время Фолклендской войны 1982 года. В настоящее время в летном состоянии находится лишь 1 самолет данного типа (серийный номер машины XH558). Самолет был возвращен в полетопригодное состояние энтузиастами с привлечением частных пожертвований. Интересным является тот факт, что в 1965 году бомбардировщик был показан в кинофильме. Один из бомбардировщиков «Вулкан» стал героем ленты одной из серий о приключениях суперагента 007 Джеймса Бонда по книге Флеминга («Шаровая молния» 1965 год). По сценарию картины злоумышленники угоняли самолет ВВС Великобритании, который должен был выполнить тренировочный полет с атомным оружием на борту. К моменту проведения съемок стратегический бомбардировщик Avro Vulcan перестал считаться секретным оружием, и командование Королевских ВВС позволило снять боевой самолет на авиабазе.Единственный летающий Avro Vulcan XH558 является ровесником советского реактивного бомбардировщика Ил-14. Свой первый полет он совершил в 1960 году, после чего до 1993 года числился в составе королевских ВВС. Великобритания по праву гордится своими бомбардировщиками – носителями ядерных вооружений, по своему значению для англичан они, наверно, сопоставимы с нашими бомбардировщиками Ту-95. Ко всему прочему они строились лишь с помощью британцев без участия каких-либо стран блока НАТО, самолет был полностью английской разработкой.В 1997 году небольшая команда энтузиастов отважилась начать проект по восстановлению бомбардировщика, в результате Avro Vulcan XH558 до сих пор радует зрителей различных авиашоу, являясь единственным в мире летающим бомбардировщиком данного типа. С самого начала энтузиасты понимали, что проект по возвращению в небо «Вулкана» будет очень непростым и с финансовой, и с технической точек зрения. Однако к 2000 году удалось определиться с техническими аспектами восстановления машины, были подобраны необходимые запчасти и оборудование, после этого до 2003 года без помощи государства удалось собрать практически 3 млн. фунтов пожертвований. Благодаря энтузиазму этих людей, многочисленным пожертвованиям частных лиц и отдельных компаний, а также помощи со стороны волонтеров самолет удалось сделать полетопригодным. Самолет снова поднялся в небо 18 октября 2007 года, спустя 10 лет после старта проекта и более 7 млн. фунтов, потраченных на его восстановление.После этого поток пожертвований не прекращался ни на один год, благодаря чему самолет принял участие в более чем 80 выставках и мероприятиях. Не смотря на это, вечно поддерживать самолет в небе не удастся. В октябре 2012 года появилась информация о том, что 2013 год станет последним годом полетов Avro Vulcan XH558. Причины этого заключаются в сложных работах по модернизации лонжеронов крыла самолета и отсутствии деталей и запасных двигателей для самолета. В мае 2012 года 2 двигателя бомбардировщика были повреждены при ремонте и все имеющиеся запчасти ушли на их восстановление. Учитывая это, было принято решение о прекращении демонстрационных полетов машины, которая и без того прожила долгую жизнь.TU-95 TU-160 B-2 SPIRIT TU-22M-3 Самые быстрые бомбардировщики в мире
What We Know Warframe Lore - The Entire Warframe Timeline (2017)
 
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A chronological arrangement of all events and lore pieces currently in Warframe. This does not include quests themselves as the current star chart progression clashes with established events. The exact placement of events is rough, but should give a general timeline of things, most importantly, retired events and alerts that are no longer accessible in-game. I didn't include them in the video because they clash with current progression, but going roughly, here is how the various quests would align in this timeline by going off of a combination of release date, story progression idealism, and current gameplay progression (yes I know it's contradictory). When I inevitably update this video, I'll likely include this list. Vor's Prize - Listed in the Video Once Awake - Listed in the Video Howl of the Kubrow - After Fusion Moa Event, Before Gradivus Dilemma Stolen Dreams - After the Gradivus Dillemma, Before Hunt for Alad V The Limbo Theorem - After the Hunt for Alad V Patient 0 - During the Mutalist Incursions, Before Tubemen of Regor The Archwing - After Gate Crash, Before Eyes of Blight A Man of Few Words - After Tubemen of Regor, Before Natah The New Strange - Before the Second Dream, After Stolen Dreams, (possibly after Second Dream? [Higher MR Req]) Natah - After Tubemen of Regor The Second Dream - After Natah, Before Operation Shadow Debt Sands of Inaros - After Operation Shadow Debt The Jordas Precept - After The Second Dream, After the New Strange Octavia's Anthem - After The Second Dream, After the New Strange The Silver Grove - After The Second Dream Hidden Messages - Before The War Within, After the Second Dream The War Within - After Operation Rathuum The Glast Gambit - After The War Within The Pacifism Defect - After Operation Rathuum, Before Chains of Harrow Ambulas/Ambulas Reborn - After the Glast Gambit Chains of Harrow - The actual most recent event on the timeline. After Ambulas Reborn. Honestly, it's a confusing mess, and a single re-interpretation of a timeline placement could rearrange the whole thing. Here's hoping they fix it someday.
Views: 988437 StallordD
The Karate World Champion Firefighter Aiming at Tokyo 2020 | Day Jobs
 
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Finding fitness and friendship from her firefighting career has given Spanish athlete Paula Rodriguez the platform to chase karate gold at the first appearance of the sport in the Olympic Games at Tokyo 2020. Discover how behind the glitz and glamour of the Games, many world-class athletes must work around the clock to fund their Olympic dream: http://bit.do/DayJobsENG Subscribe to the official Olympic channel here: http://bit.ly/1dn6AV5
Views: 41926 Olympic
London Shopping – A guide to the best areas
 
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http://www.visitlondon.com/shop Love shopping? Watch our guide to London’s top shopping destinations, with top tips from real shoppers. Hit the shops with SianShutterbug and find out the best places to go for department stores, luxury labels, pop ups, high street fashion and more. From Carnaby Street and Covent Garden to Westfield, to Knightsbridge and Oxford Street – see the best places to shop in London. Like us on Facebook: https://www.facebook.com/visitlondon Follow us on Twitter: https://twitter.com/visitlondon Follow us on Instagram: http://instagram.com/visitlondonofficial
Views: 212920 Visit London
Game Theory: Theorists are KILLERS (Life is Strange)
 
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Check out the Corridor Digital video I starred in ►► https://youtu.be/ML-kZWAMfmk Become a Theorist! ►► http://bit.ly/1qV8fd6 My Reaction to React World Controversy! ► http://bit.ly/1SwK8RH I Complete Life is Strange on GTLive! ►► http://bit.ly/1obiDlr Thank you to all the loyal theorists who helped in making this episode a possibility! It's so cool to see how the decisions we make in video games like Life is Strange might actually help us to learn a little bit about our own personalities. I was pleasantly surprised by how many of you helped in this episode's research - and it was astounding to see how much we all have in common. Take the Myers Briggs Test for yourself ►► https://www.16personalities.com/free-personality-test Become a Theorist! ►► http://bit.ly/1qV8fd6 Hang out with us on our NEW CHANNEL GTLive! ►► http://bit.ly/1LkSBnz Nintendo Theories: What's in Link's Potions? ► http://bit.ly/Zj2FsS Are Humans Pokemon? YES! ►► http://bit.ly/1Bexblg Bowser's Broken Home! ►► http://bit.ly/1SVLN2d Meta Theories: How PEWDIEPIE PWN'd YouTube ► http://bit.ly/1LffhpD Gamers, You're getting PLAYED! ►► http://bit.ly/1V22nNy Yes, PewDiePie, YouTube is BROKEN ►► http://bit.ly/237Gtvg Physics and Body Theories: BEWARE Link's Hookshot! ► http://bit.ly/1UiMDHF How Deadly is Super Mario's Bullet Bill? ► http://bit.ly/1SDminK What Sex is Team Fortress 2's Pyro ► http://bit.ly/1xY8yXh Call of Duty's Regenerating Health ► http://bit.ly/1nAtuny Skyrim, On Arrows and Knees ►http://bit.ly/1M9KiIA Competitive Gaming Theories : Why ESPN is WRONG about eSports ► http://bit.ly/1TxrN8u Red vs Blue, The SECRET Color Strategy ► http://bit.ly/1RC8pkM Twitter: @MatPatGT Hang out with us on our NEW CHANNEL GTLive! ►► http://bit.ly/1LkSBnz GAME THEORY MERCH! Equip it HERE ►► http://gametheory.spreadshirt.com/ Check out some more of our awesome video game content: Game Theory: http://bit.ly/1zz3t7E Culture Shock: http://bit.ly/1sw7aZ8 Digressing and Sidequesting: http://bit.ly/1rxBUgz Crossover: http://bit.ly/1t9AclA
Views: 4857956 The Game Theorists
Pro Tools Tutorial - Tempo Mapping
 
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In the latest video of the microlecture series, Jason de Wilde explains how to perform accurate tempo mapping on Pro Tools. Tempo mapping is when you set the bar/beat grid of your digital audio workstation (DAW) to match a recorded performance. It is a useful technique when you have a recording that was not performed to a click or the performance varies in tempo and speed. Pro Tools bar/beat grid can be manually set according the performance. Check out all our You Tube Channels AIMtvSydney - http://www.youtube.com/user/AimTVSydney AIMtvStage - http://www.youtube.com/user/AIMtvStage AIMtvTestimonials - http://www.youtube.com/user/AIMtvTestimonials AIMtvDramaticArt - http://www.youtube.com/user/aadatvchannel Our Website - http://www.aim.edu.au/ AIMtv on our Website - http://www.aim.edu.au/student-life/aim-tv Facebook - https://www.facebook.com/AustralianInstituteofMusic Twitter - http://twitter.com/AIMsydney Instagram - http://instagram.com/australianinstituteofmusic Linkedin - http://www.linkedin.com/company/739302?trk=NUS_CMPY_TWIT Google Plus - https://plus.google.com/+AimEduAu/posts AIM To study music at AIM is all about having a fun, professional, academic experience, that helps set you up for a diverse lifelong career in the music industry, from performing to studio work, teaching, publishing, entertainment management, music business and a whole lot more, all connected as part of the AIM learning experience. The best thing you can from here do is to come along to an OPEN Day or check out our website at http://www.aim.edu.au The Bachelor of Music (Audio) is a thorough and complete study of sound engineering and music technology. Major Studies Combines three technology streams: 1. Audio Focuses on the theoretical aspects of sound engineering including; acoustics, perception of hearing, digital audio, sampling, electronics and system design. 2. Recording Focuses on the practical techniques of recording and mixing sound. Students undertake practical classes in AIM's numerous recording studios, completing their own recording projects in each of these units. Projects increase in complexity as students progress through the course. 3. Digital Focuses on the software used in the field of sound and music production. All units are undertaken in the Digital Media lab with access to digital audio workstations. Ensemble In a small group setting, teamwork skills of collaboration and communication are developed as performance is focused on awareness, preparation andcommitment to common goals. Associated Studies Students select associated studies from a range of performance, production, management, media and technology units to either focus their music education or explore wider opportunities. Academic Studies All Bachelor of Music students undertake a series of Academic Studies units. These units cover theoretical and aural musicianship as well as historical and cultural studies of music. In the Foundation stages (1--2) of the degree, students cover a broad range of music styles and genres, including western art music and contemporary popular music. In the Industry stages (3--6) of the degree, students are able to focus their critical thinking in a variety of specialist areas including contemporary, jazz, baroque, classical, romantic, avant garde, music theatre, film, roots music, world music and latin music. Q Recording Studios With the best in digital and vintage analog production equipment, Q Studios is our state-of-the-art recording facility, custom designed and built into AIM's main campus. Recordings can be captured from the fully equipped studio spaces, from any control room in the facility, with video monitoring and the ability to record live performances.
Views: 52875 AimTV
Shukla Bose: Teaching one child at a time
 
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http://www.ted.com Educating the poor is more than just a numbers game, says Shukla Bose. She tells the story of her groundbreaking Parikrma Humanity Foundation, which brings hope to India's slums by looking past the daunting statistics and focusing on treating each child as an individual. TEDTalks is a daily video podcast of the best talks and performances from the TED Conference, where the world's leading thinkers and doers give the talk of their lives in 18 minutes. Featured speakers have included Al Gore on climate change, Philippe Starck on design, Jill Bolte Taylor on observing her own stroke, Nicholas Negroponte on One Laptop per Child, Jane Goodall on chimpanzees, Bill Gates on malaria and mosquitoes, Pattie Maes on the "Sixth Sense" wearable tech, and "Lost" producer JJ Abrams on the allure of mystery. TED stands for Technology, Entertainment, Design, and TEDTalks cover these topics as well as science, business, development and the arts. Closed captions and translated subtitles in a variety of languages are now available on TED.com, at http://www.ted.com/translate. Watch a highlight reel of the Top 10 TEDTalks at http://www.ted.com/index.php/talks/top10
Views: 48297 TED
How To Do Acrylic Nails
 
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Videojug.com instructs you how to properly prepare the nail for application of acrylic nails. Once you apply the acrylic nail, then file and buff the acrylic nail as directed in the 'How to do acrylic Nails' video. Subscribe! http://www.youtube.com/subscription_center?add_user=videojugbeauty Check Out Our Channel Page: http://www.youtube.com/user/videojugbeauty Like Us On Facebook! https://www.facebook.com/videojug Follow Us On Twitter! http://www.twitter.com/videojugBeauty Watch This and Other Related films here: http://www.videojug.com/film/how-to-do-acrylic-nails
Views: 176000 Pose
Thai Elephant Massage - by a Cute Baby Elephant in Koh Samui
 
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In 2007 I volunteered to get a massage from a baby elephant in Thailand, on Koh Samui. The baby elephant was super cute and kept tickling me and also gave me a big wet kiss on my check. Surprisingly, the elephant actually gave a great special massage - with the perfect amount of pressure! It wasn't a "Thai Hot Stem Massage" of course, but it was impressive and disturbing that a baby elephant could do this. Learn more about how I ended up experiencing this here: http://www.causes.com/actions/1696873 Reading more about how these baby elephants are trained to do these types of 'stunts' - it's pretty shocking. On the PETA Asia-Pacific site it shares videos about how "baby elephants are taken from their mothers, tied down, and beaten so severely that they bleed and scream, all in order to force them to perform ridiculous tricks for tourists." To learn more, please take a read of this blog post: http://blog.petaasiapacific.com/animals-in-entertainment/end-elephant-exploitation I posted this video ages ago to share just with some family and friends the craziness I experienced. Since recently it has gotten more popular, I would like to encourage you to help spread the word about these types of safaris and the dangers they pose to Thai wildlife. To raise money, I will be donating Adsense Revenues from this Youtube video to support the care of baby elephants through the organization Bring The Elephant Home - Learn more here: http://www.bring-the-elephant-home.org/en/ Also to show your support, please take a pledge to protect baby elephants by raising awareness of this issue here: http://www.causes.com/actions/1696873 Afghanistan -- Akrotiri and Dhekelia -- Åland -- Åland Islands Albania - Algeria -- American Samoa - Andorra -- Angola -- Anguilla - Antigua and Barbuda - Argentina -- Armenia -- Aruba - Ascension Island - Australia -- Austria - Azerbaijan - Bahamas, The - Bahrain - Bangladesh - Barbados - Belarus - Belgium - Belize - Benin - Bermuda - Bhutan - Bolivia - Bosnia and Herzegovina Bosna - Botswana - Brazil - Brunei - Bulgaria - Burkina Faso - Burundi - Cambodia - Cameroon - Canada - Cape Verde - Cayman Islands - Central African Republic - Chad - Chile - China - Chinese - Christmas Island - Cocos (Keeling) Islands - Colombia - Comoros - Congo - Congo - Cook Islands - Costa Rica - Côte d'Ivoire - Croatia - Cuba - Cyprus - Czech Republic - Denmark -Djibouti - Dominica - Dominican Republic - Falkland Islands - Faroe Islands - Fiji - Finland - France - French Polynesia - Georgia - Germany - Greece - Guatemala - Hungary - Iceland - India - Indian - Iraq - Iran - Ireland - Israel - Italy - Kosova - Kuwait - Kyrgyzstan - Latvia - Lebanon - Liechtenstein - Lithuania - Luxembourg - Macedonia - Macao - Mexico - Moldova - Monaco - Montenegro - Morocco - Netherlands - New Zealand - Norway - Pakistan - Palau - Palestine - Romania - Russia - Kingdom of Saudi Arabia - Serbia - Slovakia - Slovenia - Spain - Sweden - Switzerland - Syria - Turkey - United Arab Emirates - United Kingdom - United States - Vatican City - Yemen - Zimbabwe The Million Years Stone Park & Pattaya Crocodile Farm
Views: 7894358 ummee
Kim Kardashian Paid To Like Bahrain?
 
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"If you follow Kim Kardashian on Twitter — or if you follow people who troll her relentlessly in the name of comedy, as I do — you know that she's spent the past few days singing the praises of the Middle East, specifically the country of Bahrain, which she called "the prettiest place on Earth." Why the hell a) is Kim Kardashian in Bahrain and b) why the hell is she relentlessly extoll its virtues on Twitter? More than likely, Kardashian is being paid to do so by the brutal dictatorship there, because that's what Kim Kardashian does, you see, and Bahrain's ruler recently launched an ambitious worldwide PR campaign to try to enhance the country's image. The evidence is circumstantial, obviously, but the dots are obvious enough for a fool to connect them."* Is Kim Kardashian being paid to promote tourism in Bahrain, the place of a brutal uprising not too long ago? Did she accept money to promote a country run by a monarchal regime known for numerous human rights violations and deaths? Cenk Uygur and Ana Kasparian discuss the very real possibility that this is true. *Read more from Uproxx.com: http://www.uproxx.com/tv/2012/12/kim-kardashian-sparks-uprising-in-the-middle-east/#ixzz2EAOQucaS Support The Young Turks by Subscribing http://bit.ly/TYTonYouTube Support The Young Turks by Shopping http://bit.ly/XhuNqO Like Us on Facebook: Follow Us on Twitter: http://bit.ly/OkX87X Buy TYT Merch: http://theyoungturks.spreadshirt.com/
Views: 135066 The Young Turks
Viento de exilio - Rafael Butler y Juan Burone
 
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Tema acustico grabado en 2014 Juan Burone y Rafael Butler
Views: 1979 Metafora Rock
SCP-093 Red Sea Object  | Euclid | portal / extradimensional scp
 
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SCP-093 is a primarily red disc carved from a stone composite resembling cinnabar, with circular engravings and unknown symbols carved at 0.5 cm depth around the entire object.f SCP-093 is removed from a mirror and not held by a person, it will seek out the nearest mirror-like surface. SCP-093 has been observed to travel in the largest possible circle while rolling, building up phenomenal speed. If you wish to see more from Eastside Show SCP (Eastside Steve), be sure to subscribe today for the latest videos! https://goo.gl/KekHSK A Red Sea Object that when held and walked into a mirror, transports you to another world. This video contains all of my SCP-093 videos in one convenient video. Check links below to read along! http://www.scp-wiki.net/scp-093 http://www.scp-wiki.net/scp-093-blue-test http://www.scp-wiki.net/scp-093-green-test http://www.scp-wiki.net/scp-093-violet-test http://www.scp-wiki.net/scp-093-yellow-test http://www.scp-wiki.net/scp-093-red-test http://www.scp-wiki.net/scp-093-recovered-materials Lord Blackwood and the Land of the Unclean (SCP-093 and SCP-1867 Tale) https://www.youtube.com/watch?v=3DaUHwSLX2k Check out my SCP Playlists! Season 1: https://www.youtube.com/watch?v=H0xFp1HRmSQ&list=PLWbMmdyBjyTxAdPDhu-K3KbOuG-cebCvL Season 2: https://www.youtube.com/watch?v=CUMD8Jlhk5k&list=PLWbMmdyBjyTwtSTBO1AuXI0O_BoU1NH-j #scp #eastsideshowscp
Views: 213590 The Eastside Show
Lord Blackwood and the Land of the Unclean (SCP-093 and SCP-1867 SCP Tale)
 
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Lord Blackwood (SCP-1867) explores the Red Sea Object (SCP-093) world, and discovers things are much more sinister than they appear! Read along with me! ♣Read along: http://www.scp-wiki.net/lord-blackwood-and-the-land-of-the-unclean ▼ Learn more ▼ SCP-093 "Red Sea Object" https://www.youtube.com/watch?v=mHDC2... SCP-1867 "A Gentleman" https://www.youtube.com/watch?v=OyF0C... Season 1: https://www.youtube.com/watch?v=H0xFp... Season 2: https://www.youtube.com/watch?v=CUMD8... Season 3: https://www.youtube.com/playlist?list... Help me out on Patreon! ▼Patreon▼ https://www.patreon.com/EastsideShowSCP Join me on Facebook and Twitter! ♣Facebook: https://www.facebook.com/EastsideShowscp ♣Twitter: https://twitter.com/Eastsideshow Other ♣Music by Kevin MacLeod: http://incompetech.com/ ♥Be sure to like, comment, share, and subscribe!♥ #scp #scpfoundation #eastsideshowscp
Views: 66241 The Eastside Show
Cómo enfrentar el cáncer desde la serenidad y la cordura por el Dr. Martí Bosch - Parte 1
 
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Cómo enfrentar el cáncer desde la serenidad y la cordura por el Dr. Martí Bosch, Licenciado en Cirugía y Medicina y oncólogo pediatra en la Feria de Alimentación y Salud que tuvo lugar el día 5 y 6 de Octubre del 2013 en Balaguer, Lleida. El cáncer se nos presenta como una enfermedad que nos aboca a la cronicidad o a la muerte ¡ no tiene por qué ser así ! No tiene por qué ser crónica ni tiene porque tener un desenlace fatalista. Hay pacientes que llegan a situaciones no reversibles, pero en la mayoría de los casos ésta situación no es así. No sólo se tratará de ampliar los medios para frenar dicho proceso, sino que también se tratará de exponer unos medios complementarios para evitar así la recidiva y recuperar la salud. También se tratará de plantear los recursos complementarios de los que podemos disponer para que los que no tengan cáncer lo puedan prevenir. Hay un mundo de medios: El mundo de la nutrición El mundo de los cuidaos corporales. El mundo de las plantas El mundo de la Homeopatía El mundo de los oligoelementos El mundo de la medicina ortomolecular (Vitaminas, enzymas, aminoácidos) El mundo de las vacunas autólogas El mundo de la Ozonoterapia. El mundo de la Hidrología médica. El munod de las energías sutiles. "Reiki, Shiatsu, Digitopuntura, etc." El mundo de la acupuntura El mundo de la mente El mundo del amor. Etc. El Dr. Alberto Martí Bosch es licenciado en Cirugía y Medicina por la Universidad Autonoma de Barcelona. Trabajó muchos años con niños como oncólogo pediátrico hasta que dados los escasos resultados que obtenía con los tratamientos convencionales y, sobre todo, viendo día a día el enorme sufrimiento que con ellos les causaba abandonó definitivamente su práctica. Hoy, veinte años después y tras formarse ampliamente en disciplinas que no se enseñan en las facultades de medicina, aborda el cáncer de una forma holística teniendo en cuenta ante todo el principio hipocrático de "Lo primero, no hacer daño". Tratamiento que tiene en cuenta los aspectos psicológicos y emocionales además del físico, ámbito éste en el que desintoxicar, resolver posibles carencias vitamínicas, minerales, ortomoleculares, enzimáticas y hormonales potenciando así el sistema inmune y equilibrare el organismo bioenergéticamente son pasos siempre útiles y necesarios. ----------------------------------------­----------------------------------------­------- http://www.alimentacioisalut.com/ ------------------------------------INFORMACION SOBRE MINDALIA------------------------------ Mindalia.com y Mindalia Televisión son una ONG SIN ANIMO DE LUCRO Si te ha gustado este video, APOYANOS CON UNA DONACION: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=G58CS4AVKC6BU SUSCRIBETE AL CANAL DE YOUTUBE para no perderte ningún video: http://www.youtube.com/subscription_center?add_user=mindaliacom MILES DE VIDEOS de conferencias y entrevistas de interés en http://www.mindaliatelevision.com Participa en las CONFERENCIAS EN DIRECTO: http://television.mindalia.com/category/conferencias-en-directo/ -Puedes escuchar este y otros audios en Ivoox: http://mindaliacomradio.ivoox.com PIDE O ENVIA AYUDA http://www.mindalia.com - La Red Social de Ayuda a través del Pensamiento SIGUENOS EN REDES SOCIALES: -Youtube: http://www.youtube.com/mindaliacom -Facebook: https://www.facebook.com/mindalia.ayuda/ -Twitter: http://twitter.com/mindaliacom -Pinterest: https://es.pinterest.com/mindaliacom/ DESCARGATE LAS APLICACIONES MOVILES GRATUITAS: Mindalia Multimedia https://play.google.com/store/apps/details?id=es.app.mindalia_television Mindalia Red de Ayuda https://play.google.com/store/apps/details?id=es.app.mindalia_ayuda&hl=es CONTACTA CON NOSOTROS: http://television.mindalia.com/contacto/ -Skype: mindalia.com ¿Tienes un video que te gustaría que publicáramos? Envíanoslo!! ----------------------------------------------------------------------------------- ***Mindalia Televisión no se hace responsable de las opiniones vertidas en este video, ni necesariamente participa de ellas. ***Mindalia Televisión no se responsabiliza de la fiabilidad de las ***informaciones de este video, cualquiera que sea su origen. Este video es exclusivamente informativo.
Views: 355193 Mindalia Televisión
The Vietnam War: Reasons for Failure - Why the U.S. Lost
 
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In the post-war era, Americans struggled to absorb the lessons of the military intervention. About the book: https://www.amazon.com/gp/product/0871137992/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0871137992&linkCode=as2&tag=tra0c7-20&linkId=d1bb53399f448906b40e7c954de052ac As General Maxwell Taylor, one of the principal architects of the war, noted, "First, we didn't know ourselves. We thought that we were going into another Korean War, but this was a different country. Secondly, we didn't know our South Vietnamese allies... And we knew less about North Vietnam. Who was Ho Chi Minh? Nobody really knew. So, until we know the enemy and know our allies and know ourselves, we'd better keep out of this kind of dirty business. It's very dangerous." Some have suggested that "the responsibility for the ultimate failure of this policy [America's withdrawal from Vietnam] lies not with the men who fought, but with those in Congress..." Alternatively, the official history of the United States Army noted that "tactics have often seemed to exist apart from larger issues, strategies, and objectives. Yet in Vietnam the Army experienced tactical success and strategic failure... The...Vietnam War...legacy may be the lesson that unique historical, political, cultural, and social factors always impinge on the military...Success rests not only on military progress but on correctly analyzing the nature of the particular conflict, understanding the enemy's strategy, and assessing the strengths and weaknesses of allies. A new humility and a new sophistication may form the best parts of a complex heritage left to the Army by the long, bitter war in Vietnam." U.S. Secretary of State Henry Kissinger wrote in a secret memo to President Gerald Ford that "in terms of military tactics, we cannot help draw the conclusion that our armed forces are not suited to this kind of war. Even the Special Forces who had been designed for it could not prevail." Even Secretary of Defense Robert McNamara concluded that "the achievement of a military victory by U.S. forces in Vietnam was indeed a dangerous illusion." Doubts surfaced as to the effectiveness of large-scale, sustained bombing. As Army Chief of Staff Harold Keith Johnson noted, "if anything came out of Vietnam, it was that air power couldn't do the job." Even General William Westmoreland admitted that the bombing had been ineffective. As he remarked, "I still doubt that the North Vietnamese would have relented." The inability to bomb Hanoi to the bargaining table also illustrated another U.S. miscalculation. The North's leadership was composed of hardened communists who had been fighting for independence for thirty years. They had defeated the French, and their tenacity as both nationalists and communists was formidable. Ho Chi Minh is quoted as saying, "You can kill ten of my men for every one I kill of yours...But even at these odds you will lose and I will win." The Vietnam War called into question the U.S. Army doctrine. Marine Corps General Victor H. Krulak heavily criticised Westmoreland's attrition strategy, calling it "wasteful of American lives... with small likelihood of a successful outcome." In addition, doubts surfaced about the ability of the military to train foreign forces. Between 1965 and 1975, the United States spent $111 billion on the war ($686 billion in FY2008 dollars). This resulted in a large federal budget deficit. More than 3 million Americans served in the Vietnam War, some 1.5 million of whom actually saw combat in Vietnam. James E. Westheider wrote that "At the height of American involvement in 1968, for example, there were 543,000 American military personnel in Vietnam, but only 80,000 were considered combat troops." Conscription in the United States had been controlled by the President since World War II, but ended in 1973." By war's end, 58,220 American soldiers had been killed, more than 150,000 had been wounded, and at least 21,000 had been permanently disabled. According to Dale Kueter, "Sixty-one percent of those killed were age 21 or younger. Of those killed in combat, 86.3 percent were white, 12.5 percent were black and the remainder from other races." The youngest American KIA in the war was PFC Dan Bullock, who had falsified his birth certificate and enlisted in the US Marines at age 14 and who was killed in combat at age 15. Approximately 830,000 Vietnam veterans suffered symptoms of posttraumatic stress disorder. An estimated 125,000 Americans fled to Canada to avoid the Vietnam draft, and approximately 50,000 American servicemen deserted. In 1977, United States President Jimmy Carter granted a full, complete and unconditional pardon to all Vietnam-era draft dodgers. The Vietnam War POW/MIA issue, concerning the fate of U.S. service personnel listed as missing in action, persisted for many years after the war's conclusion. http://en.wikipedia.org/wiki/Vietnam_War
Views: 3945765 The Film Archives
HISTORY - Historia de América Latina 1 ,Colonización,NATGEO,DOCUMENTAL,documentales,CANAL HISTORIA
 
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Views: 211095 DOCUMENTALES EN ESPAÑOL
👅👍DOCUMENTAL -FAS - Operaciones Especiales, DOCUMENTALES NATIONAL GEOGRAPHIC,WAR DOCUMENTARIES
 
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👅👍DOCUMENTAL -FAS - Operaciones Especiales, DOCUMENTALES NATIONAL GEOGRAPHIC,WAR DOCUMENTARIES 👅 SUSCRÍBETE https://goo.gl/PpDqDx 👍 😜 👆 👅👍DOCUMENTAL -FAS - Operaciones Especiales, DOCUMENTALES NATIONAL GEOGRAPHIC,WAR DOCUMENTARIES 👍 DALE PULGAR HACIA ARRIBA 👍ツ 👅👍DOCUMENTAL -FAS - Operaciones Especiales, DOCUMENTALES NATIONAL GEOGRAPHIC,WAR DOCUMENTARIES 🗣 DEJEN SUS COMENTARIOS 💭 👅👍DOCUMENTAL -FAS - Operaciones Especiales, DOCUMENTALES NATIONAL GEOGRAPHIC,WAR DOCUMENTARIES DOCUMENTALES, documentales 2016, documentales interesantes, top documentales, documentales nuevos, documentales español, documentales en español, documentales completos, national geographic documentales, national geographic, discovery documentales, discovery, discovery channel documentales, discovery channel, documentales latino, documentales online, documentales national geographic español, documentales en español completos, documentales gratis, documentales youtube,documental, documental de discovery channel en español, documental de, documental español, documental completo, documental historia, documental guerra, documental 2016, documental discovery channel, documental national geographic, documental history channel, documental national geographic latino, documentales de history channel en español latino, documental national geographic animales español, DOCUMENTALES, documentales 2016, documentales interesantes, top documentales, documentales nuevos, documentales español, documentales en español, documentales completos, national geographic documentales, national geographic, discovery documentales, discovery, discovery channel documentales, discovery channel, documentales latino, documentales online, documentales national geographic español, documentales en español completos, documentales gratis, documentales youtube,documental, documental de discovery channel en español, documental de, documental español, documental completo, documental historia, documental guerra, documental 2016, documental discovery channel, documental national geographic, documental history channel, documental national geographic latino, documentales de history channel en español latino, documental national geographic animales español, DOCUMENTALES, documentales 2016, documentales interesantes, top documentales, documentales nuevos, documentales español, documentales en español, documentales completos, national geographic documentales, national geographic, discovery documentales, discovery, discovery channel documentales, discovery channel, documentales latino, documentales online, documentales national geographic español, documentales en español completos, documentales gratis, documentales youtube,documental, documental de discovery channel en español, documental de, documental español, documental completo, documental historia, documental guerra, documental 2016, documental discovery channel, documental national geographic, documental history channel, documental national geographic latino, documentales de history channel en español latino, documental national geographic animales español, #Documental#Documentales#MejoresDocumentales#DocumentalesEnEspañol#Documentales CompletosEnEspañol#DocumentalesInteresantes#Video#Videos -~-~~-~~~-~~-~- Please watch: "BATALLAS EPICAS DE LA HISTORIA,MIOSÉS,DOCUMENTALES GUERRA,DOCUMENTALES DOCUMENTAL,BIBLIA DOCUMENTAL" https://www.youtube.com/watch?v=AtzkQ0H-tJU -~-~~-~~~-~~-~-
The Groucho Marx Show: American Television Quiz Show - Hand / Head / House Episodes
 
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Julius Henry "Groucho" Marx (October 2, 1890 -- August 19, 1977) was an American comedian and film and television star. He is known as a master of quick wit and widely considered one of the best comedians of the modern era. More Groucho: https://www.amazon.com/gp/search?ie=UTF8&tag=tra0c7-20&linkCode=ur2&linkId=84a0d6405b054f2ff355af28161498bc&camp=1789&creative=9325&index=dvd&keywords=groucho Groucho's three marriages all ended in divorce. His first wife was chorus girl Ruth Johnson. He was 29 and she 19 at the time of their wedding. The couple had two children, Arthur Marx and Miriam Marx. His second wife was Kay Marvis (m. 1945--51), née Catherine Dittig, former wife of Leo Gorcey. Groucho was 54 and Kay 21 at the time of their marriage. They had a daughter, Melinda Marx. His third wife was actress Eden Hartford. She was 24 when she married the 63-year-old Groucho. During the early 1950s, Groucho described his perfect woman: "Someone who looks like Marilyn Monroe and talks like George S. Kaufman." Often when the Marxes arrived at restaurants, there would be a long wait for a table. "Just tell the maître d' who we are," his wife would say. (In his pre-mustache days, he was rarely recognized in public.) Groucho would say, "OK, OK. Good evening, sir. My name is Jones. This is Mrs. Jones, and here are all the little Joneses." Now his wife would be furious and insist that he tell the maître d' the truth. "Oh, all right," said Groucho. "My name is Smith. This is Mrs. Smith, and here are all the little Smiths." Similar anecdotes are corroborated by Groucho's friends, not one of whom went without being publicly embarrassed by Groucho on at least one occasion. Once, at a restaurant (the most common location of Groucho's antics), a fan came up to him and said, "Excuse me, but aren't you Groucho Marx?" "Yes," Groucho answered annoyedly. "Oh, I'm your biggest fan! Could I ask you a favor?" the man asked. "Sure, what is it?" asked the even-more annoyed Groucho. "See my wife sitting over there? She's an even bigger fan of yours than I am! Would you be willing to insult her?" Groucho replied, "Sir, if my wife looked like that, I wouldn't need any help thinking of insults!" Groucho's son Arthur published a brief account of an incident that occurred when Arthur was a child. The family was going through customs and, while filling out a form, Groucho listed his name as "Julius Henry Marx" and his occupation as "smuggler." Thereafter, chaos ensued. Later in life, Groucho would sometimes note to talk-show hosts, not entirely jokingly, that he was unable to actually insult anyone, because the target of his comment assumed it was a Groucho-esque joke and would laugh. Despite his lack of formal education, he wrote many books, including his autobiography, Groucho and Me (1959) and Memoirs of a Mangy Lover (1963). He was personal friends with such literary figures as T. S. Eliot and Carl Sandburg. Much of his personal correspondence with those and other figures is featured in the book The Groucho Letters (1967) with an introduction and commentary on the letters written by Groucho, who donated his letters to the Library of Congress. Irving Berlin quipped, "The world would not be in such a snarl, had Marx been Groucho instead of Karl." In his book The Groucho Phile, Marx says "I've been a liberal Democrat all my life", and "I frankly find Democrats a better, more sympathetic crowd.... I'll continue to believe that Democrats have a greater regard for the common man than Republicans do". Marx & Lennon: The Parallel Sayings was published in 2005; the book records similar sayings between Groucho Marx and John Lennon. http://en.wikipedia.org/wiki/Groucho_marx
Views: 220007 The Film Archives
Suspense: The X-Ray Camera / Subway / Dream Song
 
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The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
Views: 65341 Remember This
CIA Archives: Buddhism in Burma - History, Politics and Culture
 
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Buddhism in Burma (also known as Myanmar) is predominantly of the Theravada tradition, practised by 89% of the country's population. It is the most religious Buddhist country in terms of the proportion of monks in the population and proportion of income spent on religion. Adherents are most likely found among the dominant ethnic Bamar (or Burmans), Shan, Rakhine (Arakanese), Mon, Karen, and Chinese who are well integrated into Burmese society. Monks, collectively known as the Sangha, are venerated members of Burmese society. Among many ethnic groups in Myanmar, including the Bamar and Shan, Theravada Buddhism is practiced in conjunction with nat worship, which involves the placation of spirits who can intercede in worldly affairs. With regard to the Daily Routines as Buddhists in Myanmar, there are two most popular practices: merit-making and vipassana (Insight Meditation). The weizza path is the least popular (an esoteric form somewhat linked to Buddhist aspiration that involves the occult).[4] Merit-making is the most common path undertaken by Burmese Buddhists. This path involves the observance of the Five Precepts and accumulation of good merit through charity and good deeds (dana) in order to obtain a favorable rebirth. The vipassana path, which has gained ground since the early 1900s, is a form of insight meditation believed to lead to enlightenment. The weizza path, is an esoteric system of occult practices (such as recitation of spells, samatha meditation, and alchemy) and believed to lead to life as a weizza (also spelt weikza), a semi-immortal and supernatural being who awaits the appearance of the future Buddha, Maitreya (Arimeitaya).[5] This last one is frowned upon by many practicing Buddhists and almost all Monks in Myanmar nowadays. Burma (Listeni/ˈbɜrmə/ BUR-mə), also Myanmar (Listeni/ˌmjɑːnˈmɑː/ MYAHN--MAR), is a sovereign country in Southeast Asia. It is bordered by India, Bangladesh, China, Laos and Thailand. One-third of Burma's total perimeter of 1,930 kilometres (1,200 mi) forms an uninterrupted coastline along the Bay of Bengal and the Andaman Sea. At 676,578 km2 (261,227 sq mi), it is the 40th largest country in the world and the second largest country in Southeast Asia. Burma is also the 24th most populous country in the world with over 60.28 million people.[6] Burma is home to some of the early civilizations of Southeast Asia including the Pyu and the Mon.[7] In the 9th century, the Burmans of the Kingdom of Nanzhao entered the upper Irrawaddy valley and, following the establishment of the Pagan Empire in the 1050s, the Burmese language and culture slowly became dominant in the country. During this period, Theravada Buddhism gradually became the predominant religion of the country. The Pagan Empire fell due to the Mongol invasions (1277--1301), and several warring states emerged. In the second half of the 16th century, the country was reunified by the Taungoo Dynasty which for a brief period was the largest empire in the history of Southeast Asia.[8] The early 19th century Konbaung Dynasty ruled over an area that included modern Burma as well as Manipur and Assam. The country was colonized by Britain following three Anglo-Burmese Wars (1824--1885). British rule brought social, economic, cultural and administrative changes. Since independence in 1948, the country has been in one of the longest running civil wars among the country's myriad ethnic groups that remains unresolved. From 1962 to 2011, the country was under military rule. The military junta was officially dissolved in 2011 following a general election in 2010 and a nominally civilian government installed, though the military retains enormous influence. Burma is a resource-rich country. However, the Burmese economy is one of the least developed in the world. Burma's GDP stands at $42.953 billion and grows at an average rate of 2.9% annually -- the lowest rate of economic growth in the Greater Mekong Subregion.[9] Among others, the EU, United States and Canada have imposed economic sanctions on Burma.[10] Burma's health care system is one of the worst in the world: The World Health Organization ranked Burma at 190th, the worst performing of all countries. The United Nations and several other organizations have reported consistent and systematic human rights violations in the country, including child labour, human trafficking and a lack of freedom of speech. In recent years, the country and its military leadership has made large concessions to democratic activists and is slowly improving its relations with the major powers and the UN. http://en.wikipedia.org/wiki/Burma
Views: 115669 The Film Archives
Political Figures, Lawyers, Politicians, Journalists, Social Activists (1950s Interviews)
 
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Interviewees: Harold Himmel Velde, United States political figure Hugh D. Scott, Jr., American lawyer and politician John V. Beamer, U.S. Representative from Indiana Orland K. Armstrong, Republican United States Representative, journalist, and social activist Edward L.R. Elson, Presbyterian minister and Chaplain of the United States Senate Richard Russell, Jr., American politician from Georgia Richard Brevard Russell, Jr. (November 2, 1897 -- January 21, 1971) was an American politician from Georgia. A member of the Democratic Party, he briefly served as Governor of Georgia (1931--33) before serving in the United States Senate for almost 40 years, from 1933 until his death in 1971. As a Senator, he was a candidate for President of the United States in the 1952 Democratic National Convention, coming in second to Adlai Stevenson. Russell was a founder and leader of the conservative coalition that dominated Congress from 1937 to 1963, and at his death was the most senior member of the Senate. He was for decades a leader of Southern opposition to the civil rights movement. Russell competed in the 1952 Democratic presidential primary, but was shut-out of serious consideration by northern Democratic leaders who saw his support for segregation as untenable outside of the Jim Crow South. When Lyndon Johnson arrived in the Senate, he sought guidance from knowledgeable senate aide Bobby Baker, who advised that all senators were "equal" but Russell was the most "equal"—meaning the most powerful. Johnson assiduously cultivated Russell through all of their joint Senate years and beyond. Russell's support for first-term senator Lyndon Johnson paved the way for Johnson to become Senate Majority Leader. Russell often dined at Johnson's house during their Senate days. However, their 20-year friendship came to an end during Johnson's presidency, in a fight over the Chief Justice nomination of Johnson's friend and Supreme Court justice Abe Fortas in 1968. While a prime mentor of Johnson, Russell and the then-president Johnson also disagreed over civil rights. Russell, a segregationist, had repeatedly blocked and defeated civil rights legislation via use of the filibuster and had co-authored the Southern Manifesto in opposition to civil rights. He had not supported the States Rights' Democratic Party of Strom Thurmond in 1948, but he opposed civil rights laws as unconstitutional and unwise. (Unlike Theodore Bilbo, "Cotton Ed" Smith and James Eastland, who had reputations as ruthless, tough-talking, heavy-handed race baiters, he never justified hatred or acts of violence to defend segregation. But he strongly defended white supremacy and apparently did not question it or ever apologize for his segregationist views, votes and speeches.) Russell was key, for decades, in blocking meaningful civil rights legislation that might have protected African-Americans from lynching, disenfranchisement, and disparate treatment under the law. After Johnson signed the Civil Rights Act of 1964, Russell (along with more than a dozen other southern Senators, including Herman Talmadge and Russell Long) boycotted the 1964 Democratic National Convention in Atlantic City. A prominent supporter of a strong national defense, Russell became in the 1950s the most knowledgeable and powerful congressional leader in this area. He used his powers as chairman of the Senate Armed Services Committee from 1951 to 1969 and then as chairman of the Senate Appropriations Committee as an institutional base to add defense installations and jobs for Georgia. He was dubious about the Vietnam War, privately warning President Johnson repeatedly against deeper involvement. http://en.wikipedia.org/wiki/Richard_Russell,_Jr.
Views: 57685 The Film Archives
История Капоэйры часть I - History of Capoeira part I
 
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История Капоэйры в Украине с древнейших времён по 2003-й год History of Capoeira in Ukraine from ancient times till the year 2003 + Multillingual subtitles Содержание: Contents:  0:00:27 Вступление [Introduction] 0:01:40 "Только Сильнейшие" ["Only the Strong"]  0:03:20 90-е ['90-s]  0:06:30 Хапкидо [Hapkido]  0:08:10 Первые тренировки, 1995-й год [The first workouts, the year 1995]  0:15:30 Гамбург,1998-й год [Hamburg, the year 1998]  0:18:40 Гидропарк доисторический [Prehistoric Hydropark]  0:19:20 О тренировках [Training process]  0:25:55 Итоги первых лет обучения, Виталий [The results of the first years of training, Vitaly]  0:27:30 Анисим первые шаги [Anisim's first steps]  0:29:10 Первый семинар, 2000-й год [The first workshop, the year 2000]  0:44:12 Группа растёт [Group is growing]  0:46:10 Приходит Андрей, 2001-й год [Andrew comes, the year 2001]  0:50:40 Семинар в Дании, первые пояса [Workshop in Denmark, first belts]  0:51:10 Тренировки у Гены [Training at Gena's place]  0:53:08 Об атмосфере в кругу, особенности игры [Atmosphere in the roda, the game specifics]  0:57:40 Анисим в гипсе [Anisim in cast]  0:58:00 Обучение после 2000-го года, рассказ о настойчивости [Education after the year 2000, the story of perseverance]  1:02:45 Андрей о музыке и музыкальных инструментах [Andrew is telling about music and musical instruments]  1:04:25 Клипы, реклама, передачи, запись CD с капоэйрой [Videoclips, advertising, tv-shows, capoeira CD recordings]  1:07:23 О тренировках [About trainings]  1:09:20 Семинар в Берлине 2001, капоэйра ангола [The workshop in Berlin in 2001, Capoeira Angola]  1:13:27 Андрей о первых тренировках [Andrew is telling about his first trainings]  1:14:13 Про девушек на капоэйре [Capoeira girls]  1:15:35 Анисим о дисциплине [Anisim is telling about discipline] 1:16:19 Приезд Сони [The arrival of Sonya]  1:19:28 Анисим открывает секцию по капоэйре [Anisim begins teaching capoeira]  1:20:37 Первое выступление, "Белые ночи", МС [The first capoeira show, "White Nights" club, MC]  1:25:38 Игорь открывает секцию [Igor begins teaching capoeira] 1:29:50 Второй семинар с Руем, 2002-й год [The second workshop with Rui, the year 2002]  1:37:17 Подведение итогов, анонс [Summing up, the announcement] 1:40:13 Титры, удавшиеся моменты [Titles, cool moments]
Views: 4314 Anisim Illinskyi
Grief Drives a Black Sedan / People Are No Good / Time Found Again / Young Man Axelbrod
 
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In the beginning of the Golden Age, American radio network programs were almost exclusively broadcast live, as the national networks prohibited the airing of recorded programs until the late 1940s because of the inferior sound quality of phonograph discs, the only practical recording medium. As a result, prime-time shows would be performed twice, once for each coast. However, "reference recordings" were made of many programs as they were being broadcast, for review by the sponsor and for the network's own archival purposes. With the development of high-fidelity magnetic wire and tape recording in the years following World War II, the networks became more open to airing recorded programs and the prerecording of shows became more common. Local stations, however, had always been free to use recordings and sometimes made substantial use of prerecorded syndicated programs distributed on pressed (as opposed to individually recorded) transcription discs. Recording was done using a cutting lathe and acetate discs. Programs were normally recorded at 33⅓ rpm on 16 inch discs, the standard format used for such "electrical transcriptions" from the early 1930s through the 1950s. Sometimes, the groove was cut starting at the inside of the disc and running to the outside. This was useful when the program to be recorded was longer than 15 minutes so required more than one disc side. By recording the first side outside in, the second inside out, and so on, the sound quality at the disc change-over points would match and result in a more seamless playback. An inside start also had the advantage that the thread of material cut from the disc's surface, which had to be kept out of the path of the cutting stylus, was naturally thrown toward the center of the disc so was automatically out of the way. When cutting an outside start disc, a brush could be used to keep it out of the way by sweeping it toward the middle of the disc. Well-equipped recording lathes used the vacuum from a water aspirator to pick it up as it was cut and deposit it in a water-filled bottle. In addition to convenience, this served a safety purpose, as the cellulose nitrate thread was highly flammable and a loose accumulation of it combusted violently if ignited. Most recordings of radio broadcasts were made at a radio network's studios, or at the facilities of a network-owned or affiliated station, which might have four or more lathes. A small local station often had none. Two lathes were required to capture a program longer than 15 minutes without losing parts of it while discs were flipped over or changed, along with a trained technician to operate them and monitor the recording while it was being made. However, some surviving recordings were produced by local stations.[7][8] When a substantial number of copies of an electrical transcription were required, as for the distribution of a syndicated program, they were produced by the same process used to make ordinary records. A master recording was cut, then electroplated to produce a stamper from which pressings in vinyl (or, in the case of transcription discs pressed before about 1935, shellac) were molded in a record press. http://en.wikipedia.org/wiki/Old_time_radio
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The Ex-Urbanites / Speaking of Cinderella: If the Shoe Fits / Jacob's Hands
 
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Aldous Leonard Huxley (26 July 1894 -- 22 November 1963) was an English writer and one of the most prominent members of the famous Huxley family. Best known for his novels including Brave New World and a wide-ranging output of essays, Huxley also edited the magazine Oxford Poetry, and published short stories, poetry, travel writing, film stories and scripts. Huxley spent the later part of his life in the United States, living in Los Angeles from 1937 until his death. Aldous Huxley was a humanist, pacifist, and satirist, and he was latterly interested in spiritual subjects such as parapsychology and philosophical mysticism. He is also well known for advocating and taking psychedelics. By the end of his life Huxley was widely acknowledged as one of the pre-eminent intellectuals of his time. http://en.wikipedia.org/wiki/Aldous_Huxley
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You Bet Your Life: Secret Word - Light / Clock / Smile
 
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Julius Henry "Groucho" Marx (October 2, 1890 -- August 19, 1977) was an American comedian and film and television star. He is known as a master of quick wit and widely considered one of the best comedians of the modern era. His rapid-fire, often impromptu delivery of innuendo-laden patter earned him many admirers and imitators. He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life. His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick greasepaint mustache and eyebrows. These exaggerated features resulted in the creation of one of the world's most ubiquitous and recognizable novelty disguises, known as "Groucho glasses", a one-piece mask consisting of horn-rimmed glasses, large plastic nose, bushy eyebrows and mustache. Groucho Marx was, and is, the most recognizable and well-known of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers movie. Groucho's trademark eye glasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as "Groucho glasses", "nose-glasses," and other names) are sold by novelty and costume shops around the world. Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films, inspired John Astin's portrayal of Gomez Addams on the 1960s TV series The Addams Family with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit). Alan Alda often vamped in the manner of Groucho on M*A*S*H. In one episode, "Yankee Doodle Doctor", Hawkeye and Trapper put on a Marx Brothers act at the 4077, with Hawkeye playing Groucho and Trapper playing Harpo. In three other episodes, a character appeared who was named Captain Calvin Spalding (played by Loudon Wainwright III). Groucho's character in Animal Crackers was Captain Geoffrey T. Spaulding. On many occasions, on the 1970s television sitcom All In The Family, Michael Stivic (Rob Reiner), would briefly imitate Groucho Marx and his mannerisms. Two albums by British rock band Queen, A Night at the Opera (1975) and A Day at the Races (1976), are named after Marx Brothers films. In March 1977, Groucho invited Queen to visit him in his Los Angeles home; there they performed "'39" a capella. A long-running ad campaign for Vlasic Pickles features an animated stork that imitates Groucho's mannerisms and voice. On the famous Hollywood Sign in California, one of the "O"s is dedicated to Groucho. Alice Cooper contributed over $27,000 to remodel the sign, in memory of his friend. In 1982, Gabe Kaplan portrayed Marx in the film Groucho, in a one-man stage production. He also imitated Marx occasionally on his previous TV sitcom Welcome Back, Kotter. Actor Frank Ferrante has performed as Groucho Marx on stage for more than two decades. He continues to tour under rights granted by the Marx family in a one-man show entitled An Evening With Groucho in theaters throughout the United States and Canada with piano accompanist Jim Furmston. In the late 1980s Ferrante starred as Groucho in the off-Broadway and London show Groucho: A Life in Revue penned by Groucho's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. Woody Allen's 1996 musical Everyone Says I Love You, in addition to being named for one of Groucho's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and Goldie Hawn, attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of "Hooray for Captain Spaulding"—done entirely in French. In the last of the Tintin comics, Tintin and the Picaros, a balloon shaped like the face of Groucho could be seen in the Annual Carnival. In the Italian horror comic Dylan Dog, the protagonist's sidekick is a Groucho impersonator whose character became his permanent personality. The BBC remade the radio sitcom Flywheel, Shyster and Flywheel, with contemporary actors playing the parts of the original cast. The series was repeated on digital radio station BBC7. Scottish playwright Louise Oliver wrote a play named Waiting For Groucho about Chico and Harpo waiting for Groucho to turn up for the filming of their last project together. This was performed by Glasgow theatre company Rhymes with Purple Productions at the Edinburgh Fringe and in Glasgow and Hamilton in 2007-08. Groucho was played by Scottish actor Frodo McDaniel. http://en.wikipedia.org/wiki/Groucho
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Words at War: Apartment in Athens / They Left the Back Door Open / Brave Men
 
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Greece entered World War II on 28 October 1940, when the Italian army invaded from Albania, beginning the Greco-Italian War. The Greek army was able to stop the invasion and even push back the Italians into Albania, thereby winning one of the first victories for the Allies. The Greek successes and the inability of the Italians to reverse the situation forced Nazi Germany to intervene in order to protect her main Axis partner's prestige. The Germans invaded Greece and Yugoslavia on 6 April 1941, and overran both countries within a month, despite British aid to Greece in the form of an expeditionary corps. The conquest of Greece was completed in May with the capture of Crete from the air, although the Fallschirmjäger suffered such extensive casualties in this operation that the Germans abandoned large-scale airborne operations for the remainder of the war. The German diversion of resources in the Balkans is also considered by some historians to have delayed the launch of the invasion of the Soviet Union by a critical month, which proved disastrous when the German army failed to take Moscow.[citation needed] Greece itself was occupied and divided between Germany, Italy and Bulgaria, while the King and the government fled into exile in Egypt. First attempts at armed resistance in summer 1941 were crushed by the Axis, but the Resistance movement began again in 1942 and grew enormously in 1943 and 1944, liberating large parts of the country's mountainous interior and tying down considerable Axis forces. However, political tensions between the Resistance groups resulted in the outbreak of a civil conflict among them in late 1943, which continued until the spring of 1944. The exiled Greek government also formed armed forces of its own, which served and fought alongside the British in the Middle East, North Africa and Italy. The contribution of the Greek war and the merchant navies in particular was of special importance to the Allied cause. Mainland Greece was liberated in October 1944 with the German withdrawal in the face of the advancing Red Army, while German garrisons continued to hold out in the Aegean Islands until after the war's end. The country was devastated by war and occupation, and its economy and infrastructure lay in ruins. Greece suffered more than 400,000 casualties during the occupation, and the country's Jewish community was almost completely exterminated in the Holocaust. By 1946, however, a vicious civil war erupted between the British and American-sponsored conservative government and leftist guerrillas, which would last until 1949. http://en.wikipedia.org/wiki/Greece_during_World_War_II
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Words at War: Mother America / Log Book / The Ninth Commandment
 
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On 1 September 1939, Germany and Slovakia—a client state in 1939—attacked Poland.[46] On 3 September France and Britain, followed by the countries of the Commonwealth,[47] declared war on Germany but provided little support to Poland other than a small French attack into the Saarland.[48] Britain and France also began a naval blockade of Germany on 3 September which aimed to damage the country's economy and war effort.[49][50] On 17 September, after signing a cease-fire with Japan, the Soviets also invaded Poland.[51] Poland's territory was divided between Germany and the Soviet Union, with Lithuania and Slovakia also receiving small shares. The Poles did not surrender; they established a Polish Underground State and an underground Home Army, and continued to fight with the Allies on all fronts outside Poland.[52] About 100,000 Polish military personnel were evacuated to Romania and the Baltic countries; many of these soldiers later fought against the Germans in other theatres of the war.[53] Poland's Enigma codebreakers were also evacuated to France.[54] During this time, Japan launched its first attack against Changsha, a strategically important Chinese city, but was repulsed by late September.[55] Following the invasion of Poland and a German-Soviet treaty governing Lithuania, the Soviet Union forced the Baltic countries to allow it to station Soviet troops in their countries under pacts of "mutual assistance."[56][57][58] Finland rejected territorial demands and was invaded by the Soviet Union in November 1939.[59] The resulting conflict ended in March 1940 with Finnish concessions.[60] France and the United Kingdom, treating the Soviet attack on Finland as tantamount to entering the war on the side of the Germans, responded to the Soviet invasion by supporting the USSR's expulsion from the League of Nations.[58] In Western Europe, British troops deployed to the Continent, but in a phase nicknamed the Phoney War by the British and "Sitzkrieg" (sitting war) by the Germans, neither side launched major operations against the other until April 1940.[61] The Soviet Union and Germany entered a trade pact in February 1940, pursuant to which the Soviets received German military and industrial equipment in exchange for supplying raw materials to Germany to help circumvent the Allied blockade.[62] In April 1940, Germany invaded Denmark and Norway to secure shipments of iron ore from Sweden, which the Allies were about to disrupt.[63] Denmark immediately capitulated, and despite Allied support, Norway was conquered within two months.[64] In May 1940 Britain invaded Iceland to preempt a possible German invasion of the island.[65] British discontent over the Norwegian campaign led to the replacement of Prime Minister Neville Chamberlain with Winston Churchill on 10 May 1940.[66] http://en.wikipedia.org/wiki/World_War_II
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Suspense: Summer Night / Deep Into Darkness / Yellow Wallpaper
 
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Psychological thriller: In which (until the often violent resolution) the conflict between the main characters is mental and emotional, rather than physical. Characters, either by accident or their own curiousness, are dragged into a dangerous conflict or situation that they are not prepared to resolve. Characters are not reliant on physical strength to overcome their brutish enemies, but rather are reliant on their mental resources, whether it be by battling wits with a formidable opponent or by battling for equilibrium in the character's own mind. At times, the characters attempt solving, or are involved in, a mystery. The suspense created by psychological thrillers often comes from two or more characters preying upon one another's minds, either by playing deceptive games with the other or by merely trying to demolish the other's mental state.[37] The Alfred Hitchcock films Suspicion, Shadow of a Doubt, and Strangers on a Train and David Lynch's bizarre and influential Blue Velvet are notable examples of the type, as are The Talented Mr. Ripley, The Machinist, Don't Say A Word,[38] House of 9, Trapped, Flightplan, Shutter Island, Secret Window, Identity, Red Eye,[39] Phone Booth, Psycho, The River Wild,[40] Nick of Time,[41] P2,[42] Breakdown, Panic Room,[43] Misery, Straw Dogs and its remake, Cape Fear, The Collector, Frailty,[44] The Good Son and Funny Games.[45] Spy thriller: In which the protagonist is generally a government agent who must take violent action against agents of a rival government or (in recent years) terrorists. The subgenre usually deals with the subject of fictional espionage in a realistic way (such as the adaptations of John Le Carré). It is a significant aspect of British cinema,[46] with leading British directors such as Alfred Hitchcock and Carol Reed making notable contributions and many films set in the British Secret Service. The spy film usually fuses the action and science fiction genres, however, some spy films fall safely in the action genre rather than thriller (e.i. James Bond), especially those having frequent shootouts, car chases and such (see the spy entry in the subgenres of action film).[47] Thrillers within this subgenre include Spy Game, Hanna, Traitor, Tinker Tailor Soldier Spy, The Tourist, The Parallax View, The Tailor of Panama, Taken, Unknown, The Recruit, The Debt, The Good Shepherd and Three Days of the Condor.[3] Supernatural thriller: In which the film brings in an otherworldly element (such as fantasy and/or the supernatural) mixed with tension, suspense and plot twists. Sometimes the protagonist and/or villain has some psychic ability and superpowers. Examples include, Lady in the Water, Fallen,[48] Frequency, Next, Knowing, In Dreams,[49] Flatliners, Jacob's Ladder, Chronicle,[50] The Skeleton Key,[51] What Lies Beneath, Unbreakable, The Gift,[52] and The Dead Zone. Techno thriller: A suspense film in which the manipulation of sophisticated technology plays a prominent part. There is a bit of action and science fiction.[53] Examples include The Thirteenth Floor, Jurassic Park, I, Robot, Eagle Eye, Hackers, The Net, Futureworld, eXistenZ and Virtuosity. Legal thriller: A suspense film in which in which the major characters are lawyers and their employees. The system of justice itself is always a major part of these works, at times almost functioning as one of the characters. Examples include, The Pelican Brief, Presumed Innocent, The Jury, The Kappa File, The Lincoln Lawyer, Hostile Witness and Silent Witness. http://en.wikipedia.org/wiki/Thriller_%28genre%29
Views: 119894 Remember This
Words at War: Assignment USA / The Weeping Wood / Science at War
 
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The Detroit Race Riot broke out in Detroit, Michigan in June 20, 1943, and lasted for three days before Federal troops restored order. The rioting between blacks and whites began on Belle Isle on June 20, 1943 and continued until the 22nd of June, killing 34, wounding 433, and destroying property valued at $2 million. In the summer of 1943, in the midst of World War II, tensions between blacks and whites in Detroit were escalating. Detroit's population had grown by 350,000 people since the war began. The booming defense industries brought in large numbers of people with high wages and very little available housing. 50,000 blacks had recently arrived along with 300,000 whites, mostly from rural Appalachia and Southern States.[2] Recruiters convinced blacks as well as whites in the South to come up North by promising them higher wages in the new war factories. Believing that they had found a promised land, blacks began to move up North in larger numbers. However, upon arriving in Detroit, blacks found that the northern bigotry was just as bad as that they left behind in the deep South. They were excluded from all public housing except Brewster Housing Projects, forced to live in homes without indoor plumbing, and paid rents two to three times higher than families in white districts. They also faced discrimination from the public and unfair treatment by the Detroit Police Department.[3] In addition, Southern whites brought their traditional bigotry with them as both races head up North, adding serious racial tensions to the area. Job-seekers arrived in such large numbers in Detroit that it was impossible to house them all. Before the attack on Pearl Harbor, the U.S. government was concerned about providing housing for the workers who were beginning to pour into the area. On June 4, 1941, the Detroit Housing Commission approved two sites for defense housing projects--one for whites, one for blacks. The site originally selected by the commission for black workers was in a predominantly black area, but the U.S. government chose a site at Nevada and Fenelon streets, an all-white neighborhood. To complete this, a project named Sojourner Truth was launched in the memory of a black Civil War woman and poet. Despite this, the white neighborhoods opposed having blacks moving next to their homes, meaning no tenants were to be built. On January, 20, 1942, Washington DC informed the Housing Commission that the Sojourner Truth project would be for whites and another would be selected for blacks. But when a suitable site for blacks could not be found, Washington housing authorities agreed to allow blacks into the finished homes. This was set on February 28, 1942.[4] In February 27, 1942, 120 whites went on protest vowing they would keep any black homeowners out of their sight in response to the project. By the end of the day, it had grown to more than 1,200, most of them were armed. Things went so badly that two blacks in a car attempted to run over the protesters picket line which led to a clash between white and black groups. Despite the mounting opposition from whites, black families moved into the project at the end of April. To prevent a riot, Detroit Mayor Edward Jeffries ordered the Detroit Police Department and state troops to keep the peace during that move. Over 1,100 city and state police officers and 1,600 Michigan National Guard troops were mobilized and sent to the area around Nevada and Fenelon street to guard six African-American families who moved into the Sojourner Truth Homes. Thanks to the presence of the guard, there were no further racial problems for the blacks who moved into this federal housing project. Eventually, 168 black families moved into these homes.[5] Despite no casualties in the project, the fear was about to explode a year later.[6] In early June 1943, three weeks before the riot, Packard Motor Car Company promoted three blacks to work next to whites in the assembly lines. This promotion caused 25,000 whites to walk off the job, effectively slowing down the critical war production. It was clear that whites didn't mind that blacks worked in the same plant but refused to work side-by-side with them. During the protest, a voice with a Southern accent shouted in the loudspeaker, "I'd rather see Hitler and Hirohito win than work next to a nigger". http://en.wikipedia.org/wiki/Detroit_Race_Riot_%281943%29
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Words at War: Faith of Our Fighters: The Bid Was Four Hearts / The Rainbow / Can Do
 
01:27:48
Wanda Wasilewska (21 January 1905 -- 29 July 1964) was a Polish and Soviet novelist and communist political activist who played an important role in the creation of a Polish division of the Soviet Red Army during World War II and the formation of the People's Republic of Poland. She had fled the German attack on Warsaw in September 1939 and taken up residence in Soviet-occupied Lviv and eventually the Soviet Union. Wasilewska was born on 25 January 1905 in Kraków, Austria-Hungary. Her father was Leon Wasilewski, a Polish Socialist Party politician. She studied philosophy at the Warsaw University and Polish language and Polish literature at the Jagiellonian University in Kraków. After she graduated she remained at her alma mater and passed her doctorate exams in 1927. While studying she started cooperation with the Union of Socialist Youth and Society of Workers' Universities. Soon after she finished her studies she started working as a school teacher and a journalist for various left-wing newspapers, among them "Naprzód", "Robotnik", "Dziennik Popularny" and "Oblicze Dnia". She also became the chairperson of the "Płomyk" and "Płomyczek" monthlies for children, where she introduced Soviet propaganda. Although she was often criticised for her radical left-wing opinions, she joined the PPS instead of the communist party, where she was soon promoted to a member of the main party council. In her early political career she supported an alliance of all the left-wing parties with the communists against the ruling Sanacja. She was also an active supporter of many strikes in Poland. During one of the demonstrations in Kraków she met Marian Bogatko, whom she later married. After the Polish defeat in the Polish Defensive War of 1939 and the partition of Poland into Soviet and German occupied zones, she moved to Lviv where she automatically became a Soviet citizen. The Gestapo — acting at the request of the NKVD — helped to transfer her daughter and her furniture from Warsaw to Lviv.[1] She became a member of various communist organisations uniting local Polish and Ukrainian communists. She was also a journalist for the Czerwony Sztandar (Red Banner), a Soviet propaganda newspaper printed in Polish language. In early 1940, Joseph Stalin awarded her a seat in the Supreme Soviet of the USSR. She also became the chair of the Dramatic Theatre in Lviv. After the German invasion of the Soviet Union Wasilewska fled advancing Nazi army and joined the Red Army as a war correspondent and a functionary of the Political Commandment (Politupravleniye) of the Red Army. She held the military rank of a colonel.[2] She was also one of the founders (together with Jerzy Putrament) of the "Nowe Widnokręgi" monthly. After consultations with Stalin (and most probably by his direct order) she became the head of the newly formed Związek Patriotów Polskich (Society of Polish Patriots), a Soviet-created provisional government that was to control Poland. In 1944 she also became the deputy chief of the Polish Committee of National Liberation (PKWN), another provisional government which was also sponsored by the Soviet Union and opposing the Polish government in exile as the legal government of Poland. She favoured the incorporation of Poland as a republic of the Soviet Union. After most of Poland was occupied by the Red Army she decided to stay in the Soviet Union. She also became involved in a relationship with Ukrainian playwright Oleksandr Korniychuk, with whom she moved to Kiev. Although both her Russian and Ukrainian language abilities were very limited, she remained a member of the Supreme Soviet of the Soviet Union for several decades. She did not return to public life, however. She died on July 29, 1964 in Kiev. She is buried in the Baikove Cemetery. She was triple recipient of the Stalin prize for literature (1943, 1946, 1952). During the life of Joseph Stalin she was considered a classic writer of Soviet literature and her works were included into the school curriculum throughout the Soviet Union, but she was almost completely forgotten after his death.
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The Great Gildersleeve: Aunt Hattie Stays On / Hattie and Hooker / Chairman of Women's Committee
 
01:28:42
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940). He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family. Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/Great_Gildersleeve
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The Great Gildersleeve: Gildy's New Car / Leroy Has the Flu / Gildy Needs a Hobby
 
01:29:31
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940). He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family. Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/Great_Gildersleeve
Views: 131418 Remember This
Words at War: Der Fuehrer / A Bell For Adano / Wild River
 
01:27:41
The town of Adano is a fictional Sicilian port town modeled after the real town of Licata, one of the disembarkation town of the Allied Occupation of Italy. Just like Adano, the town of Licata has a shipping and sulfur industry, a fishing port, and its largest church is the Church of Sant'Angelo. Additionally, Benito Mussolini did have Licata's 700 year old bell melted to make ammunition.[5] Major Joppolo is based on the American military governor of Licata named Frank E. Toscani. John Hersey visited Toscani for four or five days during the war and created Victor Joppolo from him, even noting that he held a job as a civilian clerk in the New York City Sanitation Department.[6] General Marvin is an obvious depiction of the World War II General Patton, who was known for his bitterness and cruelty, but also his effectiveness. Führer was the unique name granted by Hitler to himself, and this in his function as Vorsitzender (chairman) of the Nazi Party. It was at the time common to refer to party leaders as "Führer", yet only with an addition to indicate the leader of which party was meant. Hitler's adoption of the title was partly inspired by its earlier use by the Austro-German nationalist Georg von Schönerer, whose followers also commonly referred to as the Führer without qualification, and who also used the Sieg Heil-salute.[3] Hitler's choice for this political epithet was unprecedented in German. Like much of the early symbolism of Nazi Germany, it was modeled after Benito Mussolini's Italian Fascism. Mussolini's chosen epithet il Duce or "Dux" if Latin ('the Leader') was widely used, though unlike Hitler he never made it his official title. The Italian word Duce (unlike the German word Führer) is no longer used as a generic term for a leader, but almost always refers to Mussolini himself. After Hitlers' appointment as Reichskanzler (Chancellor of the Reich) the Reichstag passed the Enabling Act which allowed Hitler's cabinet to promulgate laws by decree. One day before the death of Reichspräsident Paul von Hindenburg Hitler and his cabinet issued a decree, that dissolved the office of the president and made Hitler Hindenburg's successor. However this move was in breach of the Enabling Act. Hitler adopted "Führer und Reichskanzler", combining his positions in party and government, as his title.[1][2] Ostensibly Hitler did not use the title "president" out of respect for Hindenburg's achievements as a heroic figure in World War I (though the decree, rather impiously, was already passed before Hindenburg's death on August 2, 1934). In popular reception, the title of Führer and Chancellor was soon understood to mean Head of State and Head of Government -- a view that becomes even more accurate[citation needed] seeing that he was given by propaganda the title of "Führer des deutschen Reiches und Volkes" (Leader of the German Reich and People), the name the soldiers had to swear to. However, it keeps some meaning as "Leader of Party and Head of Government" with reference to the confusing relationship of party and state, including posts in personal union as well as offices with the same portfolio Hitler wanted to fight for his favour. The style of the Head of State was changed on July 28, 1942 to "Führer des Großdeutschen Reiches" ("Leader of the Greater German Reich"). In his political testament, Hitler also refers to himself as Führer der Nation.[4] Nazi Germany cultivated the Führerprinzip (leader principle),[5] and Hitler was generally known as just der Führer ("the Leader"). One of the Nazis' most-repeated political slogans was Ein Volk, ein Reich, ein Führer — "One People, One Nation, One Leader". According to the Constitution of Weimar, the President was Commander-in-chief of the Armed Forces. Unlike "President", Hitler did take this title (Oberbefehlshaber) for himself. When conscription was reintroduced in 1935, Hitler had himself promoted to the new title Oberster Befehlshaber der Wehrmacht (Supreme Commander of the Armed Forces), which meant then a presidential position over the Wehrmacht in fact led by another (newly instituted) Commander-in-chief, the Minister for War. Following the Blomberg--Fritsch Affair in 1938, Hitler took the responsibilities of this commander-in-chief for himself, though he kept on using the older formally higher title of Supreme Commander, which was thus filled with a somewhat new meaning. Combining it with "Führer", he used the style Führer und Oberster Befehlshaber der Wehrmacht ("Leader and Supreme Commander of the Wehrmacht"), yet a simple "Führer" since May 1942. http://en.wikipedia.org/wiki/Fuehrer
Views: 213857 Remember This
Suspense: They Call Me Patrice / Thing in the Window / Philomel Cottage
 
01:32:09
Ancient epic poems such as the Epic of Gilgamesh, Homer's Odyssey and the Mahābhārata use similar narrative techniques as modern thrillers. In the Odyssey, the hero Odysseus makes a perilous voyage home after the Trojan War, battling extraordinary hardships in order to be reunited with his wife Penelope. He has to contend with villains such as the Cyclops, a one-eyed giant, and the Sirens, whose sweet singing lures sailors to their doom. In most cases, Odysseus uses cunning instead of brute force to overcome his adversaries. Little Red Riding Hood (1697), an early example of a psycho-stalker story, is a fairy tale about a girl who walks through the woods to deliver food to her sick grandmother. A wolf wants to eat the girl but is afraid to do so in public. He approaches Little Red Riding Hood and she naively tells him where she is going. He suggests the girl pick some flowers, which she does. In the meantime, he goes to the grandmother's house and gains entry by pretending to be the girl. He swallows the grandmother whole (in some stories, he locks her in the closet) and waits for the girl, disguised as the grandma. The Three Apples, a tale in the One Thousand and One Nights (Arabian Nights), is the earliest known murder mystery[19] and suspense thriller with multiple plot twists[20] and detective fiction elements.[21] In this tale, a fisherman discovers a heavy locked chest along the Tigris river and he sells it to the Abbasid Caliph, Harun al-Rashid, who then has the chest broken open only to find inside it the dead body of a young woman who was cut into pieces. Harun orders his vizier, Ja'far ibn Yahya, to solve the crime and find the murderer within three days. This whodunit mystery may be considered an archetype for detective fiction.[19][22] The Count of Monte Cristo (1844) is a swashbuckling revenge thriller about a man named Edmond Dantès who is betrayed by his friends and sent to languish in the notorious Château d'If. His only companion is an old man who teaches him everything from philosophy to mathematics to swordplay. Just before the old man dies, he reveals to Dantès the secret location of a great treasure. Shortly after, Dantès engineers a daring escape and uses the treasure to reinvent himself as the Count of Monte Cristo. Thirsting for vengeance, he sets out to punish those who destroyed his life. The Riddle of the Sands (1903) is "the first modern thriller", according to Ken Follett, who described it as "an open-air adventure thriller about two young men who stumble upon a German armada preparing to invade England". Heart of Darkness (1903) is a first-person within a first-person account about a man named Marlowe who travels up the Congo River in search of an enigmatic Belgian trader named Kurtz. Layer by layer, the atrocities of the human soul and man's inhumanity to man are peeled away. Marlowe finds it increasingly difficult to tell where civilization ends and where barbarism begins. Today this might be described as a psychological thriller. The Thirty-Nine Steps (1915) is an early thriller by John Buchan, in which an innocent man becomes the prime suspect in a murder case and finds himself on the run from both the police and enemy spies. The Manchurian Candidate (1959) is a classic of Cold War paranoia. A squad of American soldiers are kidnapped and brainwashed by Communists. False memories are implanted, along with a subconscious trigger that turns them into assassins at a moment's notice. They are soon reintegrated into American society as sleeper agents. One of them, Major Bennett Marco, senses that not all is right, setting him on a collision course with his former comrade Sergeant Raymond Shaw, who is close to being activated as an assassin. The Spy Who Came in from the Cold (1963) by John le Carré is set in the world of Cold War espionage and helped to usher in an era of more realistic thriller fiction, based around professional spies and the battle of wits between rival spymasters. The Bourne Identity (1980) is one of the first thrillers to be written in the modern style that we know today. A man with gunshot wounds is found floating unconscious in the Mediterranean Sea. Brought ashore and nursed back to health, he wakes up with amnesia. Fiercely determined to uncover the secrets of his past, he embarks on a quest that sends him spiraling into a web of violence and deceit. He is astounded to learn that knowledge of hand-to-hand combat, firearms, and trade craft seem to come naturally to him. http://en.wikipedia.org/wiki/Suspense_thriller
Views: 13498 Remember This
Calling All Cars: Hit and Run Driver / Trial by Talkie / Double Cross
 
01:25:52
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Views: 35959 Remember This
Our Miss Brooks: Another Day, Dress / Induction Notice / School TV / Hats for Mother's Day
 
01:43:12
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name. Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School. Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win. Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags. Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections. Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts. Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty. Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend. Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks. Jacques Monet (Gerald Mohr), a French teacher. Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role. Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try. Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews. Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne. For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended. http://en.wikipedia.org/wiki/Our_Miss_Brooks
Views: 152006 Remember This
Our Miss Brooks: The Auction / Baseball Uniforms / Free TV from Sherry's
 
01:29:55
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name. Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School. Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win. Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags. Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections. Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts. Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty. Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend. Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks. Jacques Monet (Gerald Mohr), a French teacher. Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role. Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try. Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews. Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne. For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended. http://en.wikipedia.org/wiki/Our_Miss_Brooks
Views: 66238 Remember This
The Great Gildersleeve: House Hunting / Leroy's Job / Gildy Makes a Will
 
01:29:33
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940). He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family. Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/Great_Gildersleeve
Views: 157697 Remember This
Calling All Cars: Don't Get Chummy with a Watchman / A Cup of Coffee / Moving Picture Murder
 
01:28:39
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California. The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption. radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Views: 75488 Remember This
Our Miss Brooks: Magazine Articles / Cow in the Closet / Takes Over Spring Garden / Orphan Twins
 
01:51:34
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name. Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School. Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win. Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags. Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections. Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts. Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty. Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend. Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks. Jacques Monet (Gerald Mohr), a French teacher. Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role. Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try. Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews. Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne. For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended. http://en.wikipedia.org/wiki/Our_Miss_Brooks
Views: 62024 Remember This
Suspense: The King's Birthday / The Singing Walls / Marry for Murder
 
01:28:56
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio. http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
Views: 19408 Remember This
Calling All Cars: Gold in Them Hills / Woman with the Stone Heart / Reefers by the Acre
 
01:27:51
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California. The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption. The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Views: 41210 Remember This
Our Miss Brooks: Easter Egg Dye / Tape Recorder / School Band
 
01:30:00
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name. Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School. Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win. Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags. Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections. Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts. Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty. Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend. Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks. Jacques Monet (Gerald Mohr), a French teacher. Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role. Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try. Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews. Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne. For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended. http://en.wikipedia.org/wiki/Our_Miss_Brooks
Views: 48393 Remember This
Words at War: White Brigade / George Washington Carver / The New Sun
 
01:28:20
George Washington Carver (January 1864 -- January 5, 1943), was an American scientist, botanist, educator, and inventor. The exact day and year of his birth are unknown; he is believed to have been born into slavery in Missouri in January 1864. Carver's reputation is based on his research into and promotion of alternative crops to cotton, such as peanuts, soybeans and sweet potatoes, which also aided nutrition for farm families. He wanted poor farmers to grow alternative crops both as a source of their own food and as a source of other products to improve their quality of life. The most popular of his 44 practical bulletins for farmers contained 105 food recipes using peanuts.[3] He also developed and promoted about 100 products made from peanuts that were useful for the house and farm, including cosmetics, dyes, paints, plastics, gasoline, and nitroglycerin. He received numerous honors for his work, including the Spingarn Medal of the NAACP. During the Reconstruction-era South, monoculture of cotton depleted the soil in many areas. In the early 20th century, the boll weevil destroyed much of the cotton crop, and planters and farm workers suffered. Carver's work on peanuts was intended to provide an alternative crop. He was recognized for his many achievements and talents. In 1941, Time magazine dubbed Carver a "Black Leonardo".[4] George Washington Carver reputedly discovered three hundred uses for peanuts and hundreds more for soybeans, pecans and sweet potatoes. Among the listed items that he suggested to southern farmers to help them economically were adhesives, axle grease, bleach, buttermilk, chili sauce, fuel briquettes (a biofuel), ink, instant coffee, linoleum, mayonnaise, meat tenderizer, metal polish, paper, plastic, pavement, shaving cream, shoe polish, synthetic rubber, talcum powder and wood stain. Three patents (one for cosmetics; patent number 1,522,176, and two for paints and stains; patent numbers 1,541,478 and 1,632,365) were issued to George Washington Carver in the years 1925 to 1927; however, they were not commercially successful.[40] Aside from these patents and some recipes for food, Carver left no records of formulae or procedures for making his products.[41] He did not keep a laboratory notebook. Carver's research was intended to provide replacements for commercial products, which were generally beyond the budget of the small one-horse farmer. A misconception grew that his research on products for subsistence farmers were developed by others commercially to change Southern agriculture.[42][43] Carver's work to provide them with resources for more independence from the cash economy foreshadowed the "appropriate technology" work of E.F. Schumacher. http://en.wikipedia.org/wiki/George_washington_carver
Views: 61514 Remember This
Our Miss Brooks: Conklin the Bachelor / Christmas Gift Mix-up / Writes About a Hobo / Hobbies
 
01:35:28
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name. Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School. Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win. Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags. Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections. Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts. Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty. Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend. Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks. Jacques Monet (Gerald Mohr), a French teacher. Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role. Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try. Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews. Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne. For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended. http://en.wikipedia.org/wiki/Our_Miss_Brooks
Views: 159712 Remember This
Our Miss Brooks: Indian Burial Ground / Teachers Convention / Thanksgiving Turkey
 
01:29:40
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name. Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School. Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win. Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags. Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections. Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts. Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty. Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend. Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks. Jacques Monet (Gerald Mohr), a French teacher. Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role. Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try. Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews. Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne. For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended. http://en.wikipedia.org/wiki/Our_Miss_Brooks
Views: 46586 Remember This
Our Miss Brooks: First Day / Weekend at Crystal Lake / Surprise Birthday Party / Football Game
 
01:50:17
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name. Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School. Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win. Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags. Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections. Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts. Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty. Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend. Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks. Jacques Monet (Gerald Mohr), a French teacher. Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role. Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try. Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews. Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne. For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended. http://en.wikipedia.org/wiki/Our_Miss_Brooks
Views: 75322 Remember This
Our Miss Brooks: Cow in the Closet / Returns to School / Abolish Football / Bartering
 
01:44:49
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name. Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School. Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win. Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags. Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections. Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts. Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty. Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend. Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks. Jacques Monet (Gerald Mohr), a French teacher. Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role. Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try. Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews. Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne. For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended. http://en.wikipedia.org/wiki/Our_Miss_Brooks
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The Great Gildersleeve: Fire Engine Committee / Leila's Sister Visits / Income Tax
 
01:29:30
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940). He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family. Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/Great_Gildersleeve
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